Saint Peter's Church Choir present's Johann Sebastian Bach's Passion According to Saint Matthew in a service of devotion on Good Friday, March 30, 2018, beginning at 12:00 noon and concluding around 3:00 p.m.
Bach Collegium at Saint Peter's
Saint Peter's Church Choir
Dr. Balint Karosi, Cantor
About the passionIn the western Christian church the account of Christ's passion and crucifixion are read each year on Palm Sunday (also called Passion Sunday) and Good Friday. Like all readings from scripture, this account was historically chanted by members of the clergy. During the Baroque era the music for this reading became more elaborate, and hymns for the congregation to sing and settings of meditational poetry were sometimes interspersed throughout the reading. In the 18th century Bach used the contemporary forms of Baroque opera--aria, recitative, chorus--to further dramatize this reading. He composed elaborate settings of the passion according to Matthew, Mark and John.
Though the Mark setting is largely lost, the Matthew and John settings have endured and are among his most-often performed works on the concert stage today.
However, Bach did not write his St. Matthew Passion or his St. John Passion for the concert stage. They were written to be sung as part of the normal worship services during Holy Week. Within a year of accepting the post of Kantor in Leipzig in 1723 Bach wrote his setting of the St. John Passion, and this was performed often during the subsequent 27 years that he was Kantor. In 1829 he wrote his "Great Passion," as he and his family referred to it, the Passion According to St. Matthew.
Whereas the St. John Passion was written for choir, orchestra, and various soloists, the St. Matthew Passion was written for two choirs and two orchestras in addition to soloists. This was a work that took tremendous organization and rehearsal and it was performed only two or three times during Bach's lifetime.
In at least one of the performances at St. Thomas Kirche one choir and orchestra
were placed in the rear balcony and the second choir and orchestra were placed on the floor of the nave. In the opening chorus of the work there is a third choir as well, and it was placed in a balcony in the front of the church.
In the St. Matthew Passion Bach uses the forms of Baroque opera to present the story. Recitatives are used for the text of St. Matthew's gospel, and are sung by a tenor evangelist. Other soloists sing the parts of Jesus, Judas, Peter, Pilate, and the other characters. The parts of the crowd are sung by the choirs. In addition to the text from St. Matthew's gospel Bach intersperses arias sung by the soloists which poetically reflect on the individual Christian's response to what is happening in the narrative. Chorales that were well known to Bach's congregation were also inserted at appropriate points in the story, and we can conjecture that the congregation may well have sung along with the choir. And monumental choruses draw us into the story at the beginning and take us to Jesus' tomb at the end.
Bach's St. Matthew Passion is rightly considered not only the greatest setting of the passion
narrative ever composed, but it is also considered one of the greatest works of music ever composed on its musical merits alone.
Although one can have many opportunities to hear the St. Matthew Passion in concert venues, Saint Peter's Church is the only church in the world that presents this work every year in the setting that Bach intended, as part of the worship services of Holy Week. It is sung as part of a Service of Devotion on Good Friday from 12 noon until 3 pm. Bach divided the work into two parts so that a sermon could be preached in the middle of the service (and possibly to give the singers a much-needed break!). That is the pattern of Saint Peter's service as well. Since this is a worship service, there is no admission charge, and attendees need only to show up. The congregation is invited to sing along with some of the familiar chorales. Because Bach wrote this passion in German, the vernacular of his congregation, Saint Peter's has chosen to sing the work in English, our vernacular, so that the message of the words is immediate and direct to our hearers' ears just as it was to Bach's listeners.
- Dr. Thomas Schmidt, cantor 1990 to 2015